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"Tongue-tied
and twisted, just an earth-bound misfit, I ..."
While the
1987 album "A Momentary Lapse of Reason" had the name
Pink Floyd on the cover, the inner photos were more telling: There
was David Gilmour, and there was Nick
Mason, but the rest of the Floyds were not to be found.
After Roger
Waters had firmly taken control of the band during 1979's "The
Wall" and "The Final Cut"
in 1983, it was clear that he and the remainder of the band would
part ways. A tour was planned for "The Final
Cut," but was soon scrapped, and before too long Waters
was involved in a solo project ("The Pros
and Cons of Hitchhiking"), and Gilmour was putting together
his "About Face" album.
By the time
Gilmour got back together with bandmate Mason keyboardist
Rick Wright left the group during the
making of "The Wall," and wouldn't
be called back into the group until later in the "Momentary
Lapse" sessions Waters was in the process of releasing
his second post-Floyd solo album: "Radio
K.A.O.S."
The news that
Gilmour and Mason intended to release an album using the Pink Floyd
name stoked the flames of discontent between Waters and the remaining
band members. The battle became official in the autumn of 1986,
when Waters filed suit to end the partnership that was Pink Floyd.
In the end, after much legal raggling too complex to analyze here,
Gilmour and company won, and the name Pink Floyd would grace their
1987 album. (It turned out that the details of what constituted
the original Pink Floyd partnership was never put into writing in
the first place. How can you officially dissolve something that
never officially existed?)
Most of "Momentary
Lapse" was recorded aboard Gilmour's converted houseboat Astoria
docked along the Thames in Hampton, 16 miles outside of London.
Other work was performed at Britannia Row; A&M in Los Angeles, Calif.;
and a handful of other studios. It was the first Floyd album recorded
digitally.
The roster
of people who played and wrote material for "Momentary Lapse"
would be unlike that of any previous Floyd album. The names of nearly
20 musicians and singers were listed on the album, with Gilmour
and Bob Ezrin, who had first worked with the group on "The
Wall," co-producing the effort. The songwriting was largely
handled by Gilmour and a handful of others, such as Tony Moore,
whose band Slapp Happy had been managed by Peter Jenner, as had
the Floyd once upon a time; Ezrin; Patrick Leonard, who had produced
hits for Madonna, of all people; and Phil Manzanera, guitarist for
Roxy Music.
Wright was
called back to the band to help validate it musically as well as
legally. He joined the recording fairly late in the game, so his
contributions to the recording were limited. He also was not taken
back into the fold as a partner of the group, rather as a salaried
player, drawing $11,000 a week, and forgoing a photo on the sleeve.
Storm
Thorgerson was called in to do the cover design, assuring the
album had that Floydian look. Thorgerson
hadn't done a Floyd album cover since 1977's
"Animals" LP. By the mid-80s, he was more involved
with directing film. The design concept grew out of a line in "Yet
Another Movie": visions of an empty bed. But Thorgerson wouldn't
stop at a single bed. Instead, he lined up 800 along a beach in
Saunton Sands, North Devon, England, for the picture. (Hadn't he
ever heard of a matte shot?) The cover included allusions to other
songs on the album: i.e. the canines from "The Dogs of War,"
voted worst song by a 1989 reader poll in the now-defunct Floyd
fanzine The Amazing Pudding; and a hang glider from "Learning
to Fly," named for Gilmour's preoccupation during the record's
making. (That's supposedly a recording of him communicating with
the control tower during the song's bridge.)
The album,
tentatively titled "Delusions of Maturity," "Of Promises
Broken," and "Signs of Life" at one time or another,
was released in September 1987, shortly after Waters's "Radio
K.A.O.S." "Momentary Lapse" debuted at number
43 in the United States on Sept. 26, and went on to climb as high
as number three. The CD version, however, made it to the top of
the CD chart in the States on Oct. 10, 1987, and stayed there for
a half dozen weeks. In the U.K., the album went as far as number
three. "Momentary Lapse" achieved platinum status (a million
units sold) on Nov. 28, 1987, in the U.S.
"Learning
to Fly"/"Terminal Frost" was the album's only
single in America. It reached number 70 on the Billboard chart.
"One Slip" was the B-side to the single in the United
Kingdom. "On the Turning Away,"
backed with a live version of "Run Like Hell," originally
from "The Wall," was also issued
as a 45 in the U.K.
Waters labeled
"A Momentary Lapse of Reason," "a pretty fair forgery."
Written
by Craig Bailey
©1995-2007 Random Precision
Media. All rights reserved.
Updated:
Nov. 29, 2002
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"A Momentary
Lapse of Reason"

Sept. 8, 1987
(U.K.)
Sept. 8, 1987 (U.S.)

A
Momentary Lapse of Reason CD
A
Momentary Lapse of Reason cassette
- Signs
of Life (Gilmour/ Ezrin)
04:23
- Learning
to Fly (Gilmour/ Moore/ Ezrin/ Carin)
04:53
- The Dogs
of War (Gilmour/ Moore)
06:10
- One Slip
(Gilmour/ Manzanera)
05:04
- On
the Turning Away (Gilmour/ Moore)
05:41
- Yet Another
Movie/Round and Round (Gilmour/ Leonard)
07:28
- A New
Machine (Part 1) (Gilmour)
01:46
- Terminal
Frost (Gilmour)
06:17
- A New
Machine (Part 2) (Gilmour)
00:38
- Sorrow
(Gilmour)
08:48

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