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“Floydian Slip” was written up in the latest issue of the Champlain Business Journal, published in Rutland, Vt., and distributed to Vermont’s northwestern counties.

The monthly paper’s circulation is 14,900, with more than 45,000 readers after factoring in pass-along readership.

Thanks to writer Mike Reilly for the “ink.”

Read the article online.

EMI‘s troubles got a little worse with news Paul McCartney will move his back catalog to a different label.

EMI is Pink Floyd‘s long-time label. The financially-troubled company suffered a setback last month when a court ruled in the band’s favor regarding online sales of individual Floyd tracks (“Court sides with Floyd over online sales“).

McCartney is moving to Concord Music Group, an independent label in California, which has released his last couple albums.

EMI has also seen The Rolling Stones leave, with the band’s back catalog; and Radiohead.

Brad Smith is enjoying his 15 minutes of fame within two disparate groups of fanatics: retro video game fans and Pink Floyd connoisseurs.

He’s recreated Floyd’s 1973 “Dark Side of the Moon” album — with surprising accuracy — using nothing but ’80s-era video game system beeps and bloops.

Smith, a 27-year-old game programmer from Ontario, Canada, tells us he spent about 190 hours working on his creation, which he’s named “Moon8,” for a friend’s birthday.

“I thought I’d put this together, partly as a joke, and play it at the party,” he says. “I say it was partly as a joke, but I really do mean only partly. I spend a lot of time listening to old game soundtracks, and I do find them fully aesthetically satisfying.

“I’ve always been interested in transcription/arrangement, taking a piece of music from one instrument/ensemble to another. I also like the challenge of making something big fit small space.

“‘Dark Side of the Moon’ as an album has been around me all my life, and it’s one I’ve listened to with friends again and again.”

Smith used Famitracker, an application that takes user input and feeds it to an emulation of the Nintendo Entertainment System sound software.

The result sounds something like … well, it’s almost like a cross between … Well, listen for yourself: Download the entire work for free.

A peek at the Pink Floyd-themed “Cold Case” episode airing on CBS-TV this Sunday night.

The BBC reports the English High Court has decided in favor of Pink Floyd in a dispute the band has been engaged in with its long-time record label EMI.

At issue is whether the label has the right to sell Floyd’s tracks individually online. The ruling could remove Floyd’s catalog from the iTunes Music Store and the like.

The band had maintained its contract prohibits EMI from selling its tracks piecemeal without band permission, and this contract, agreed upon before the advent of MP3, included online sales.

EMI disagreed, saying the word “record” in the contract meant a physical thing that didn’t apply to digital files sold online.

The court today sided with the band, which wasn’t present to hear the ruling, saying the contract guarantees to preserve the “artistic integrity” of the band’s albums, which prevented so-called “unbundled” sales of individual tracks without the Floyd’s say-so.

EMI has been ordered to pay $60,000, but, in a statement, said, “Today’s judgment does not require EMI to cease making Pink Floyd’s catalogue available as single track downloads, and EMI continues to sell Pink Floyd’s music digitally and in other formats.”

This latest court ruling is part of a much larger long-running dispute between the band and label over approximately $15 million in allegedly unpaid royalties.

News agency Reuters reports that Pink Floyd today took legal action against its long-time record label EMI. The point of contention is EMI’s online sales of individual Floyd tracks and royalty calculations of the same.

Floyd attorney Robert Howe told London’s High Court the band has contractual protection against EMI’s selling of its tracks piecemeal, a practice known as “unbundling.”

According to Howe, EMI believes that agreement is limited to “physical product and doesn’t apply online.”

Floyd’s back catalog is the second most popular in the world, next to The Beatles’.

As we reported previously, the March 21 episode of CBS-TV’s “Cold Case” will feature several songs by Pink Floyd.

Today, Capitol/EMI, the band’s label, released more details about the broadcast.

In the episode, titled “Flashover,” the missing Nick Vera (Jeremy Ratchford) is concerned team members realize he’s finally hit rock bottom and hopes a new twist to a 2006 arson case, which Vera was secretly obsessing about in recent weeks, might supply quick leads to his whereabouts.

Glenn Morshower (“24”) plays a fire marshal who partnered with Vera on the arson/homicide case in 2006, and Patrick Gallagher (“Glee”) portrays a bartender at a bar where Vera’s recently become a regular.

The episode was written by Greg Plageman, one of the series’ executive producers, and was directed by Jeannot Szwarc.

“Pink Floyd’s music is so sonically and texturally rich it demands your attention, and nothing about this episode is lean-back television,” said Plageman. “The Floyd tracks we chose seem to perfectly complement the slide of Detective Nick Vera into a personal abyss.

“We also love that one of their most famous album covers, ‘Wish You Were Here’ — of two men on fire shaking hands (Actually only one is on fire -fs) — was shot right here on the Warner Bros. Lot 35 years ago, right next to our actual ‘Cold Case’ soundstages.

“So, we thought that it would be great symmetry to play the title track over the final montage.”

Past music-themed episodes of “Cold Case” have featured the music of Ray Charles, John Lennon, Frank Sinatra, Nirvana, Johnny Cash, John Mellencamp, Bruce Springsteen, Tim McGraw, U2, Bob Dylan, Santana, Bob Seger, The Doors and Pearl Jam.

Pink Floyd fans know it best as that dark, hulking presence underneath the floating pig on the cover of the 1977 “Animals” album.

Londoners have come to know it as an eyesore — albeit, an historic one.

But the Battersea Power Station, out of commission since 1983, might be another step closer to a new life as a center for housing, office and retail space.

A whopping $8.2 billion redevelopment plan set forth by architect Rafael Vinoly has received approval by London mayor Boris Johnson, and the U.K.’s Commission for Architecture and the Built Environment. The proposal is now being reviewed by the city’s planning department.

If it goes forward, the plan would include 3,700 homes, 1.6 million square feet of office space, 500,000 square feet of retail space, and an environmentally-friendly carbon-free power plant built underground.

Battersea has to be one of the only decommissioned power plants in the world with its own Web site and newsletter.

These architectural renderings come from the Rafael Vinoly Architects PC Web site.