We’ll welcome to the show Michaël Boumendil (pictured) to hear the story of how his 4-note composition came to form the melody of David Gilmour‘s new track “Rattle That Lock.”
Also: Your chance to win a copy of the newly remastered “Amused to Death” by Roger Waters.
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The animated music video for David Gilmour‘s new song, “Rattle That Lock,” was released today.
The animation was created by Alasdair & Jock from London’s Trunk Animation, under creative directorship of Aubrey Powell of Hipgnosis.
“Rattle That Lock” is the title track from Gilmour’s new album coming Sept. 18. from Sony Music/Columbia.
“I love animation when it does something that can’t be achieved any other way,” Gilmour says. “(It) highlights a darkness in the song that couldn’t have been shown any other way.”
“The animators have done a fine job: paying homage to Gustave Dore, bringing his illustrations for ‘Paradise Lost’ alive, making a powerful visual for the song,” adds lyricist Polly Samson.
The black and white, hand-drawn animation draws from John Milton’s “Paradise Lost,” Samson’s inspiration. The poem encompasses 12 books and tells Biblical story of the fall of man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden.
The video required a team of 12 animators, artists and compositors three months to complete. Working with sound designer Barnaby Templer and his team at Fonic, the film was layered with foley and sound effects, which were then mixed with the music track.
The video follows the fall of Satan from Heaven and his journey through Pandemonium, Purgatory and Chaos on his way to corrupt the virgin Earth.
Satan takes on new forms as the story is told. Starting as the beautiful Fallen Angel, he’s re-born as a sinister, masterful Cormorant before transforming into a Serpent that wreaks havoc on Earth.
Roger Waters started his set at the Newport Folk Festival at Fort Adams State Park in Rhode Island yesterday with a new song.
JamBase.com reports Waters played piano on “Crystal Clear Brooks,” backed by guitarist G.E. Smith, My Morning Jacket and Jess Wolfe and Holly Laessig from Lucius.
Waters moved to acoustic guitar for the rest of the performance. The entire set was as follows:
Crystal Clear Brooks
Mother
The Bravery Of Being Out Of Range
Hello In There (John Prine)
Wish You Were Here
Wide River To Cross (Buddy Miller)
Amused To Death
Brain Damage/Eclipse
Forever Young (Bob Dylan)
There are photos of the performance on the Instagram account of Josh Antonuccio, owner of 3 Elliott Studio, in Athens, Ohio.
Artwork from Roger Waters‘ “Amused to Death” was projected onto the Houses of Parliament last night, on the eve of the album’s re-issue.
The 1992 album from Pink Floyd co-founder Waters is being re-released by Columbia Records/Legacy Recordings today on a variety of media, including in a new 5.1 Surround Sound remix on Blu-ray disc and a newly remastered stereo mix on compact disc by longtime Floyd/Waters collaborator James Guthrie.
The album’s cover and gatefold art has been updated by Sean Evans, creative director of Waters’ 2010-2013 “The Wall Live” tour and film, coming to theaters Sept. 29.
The new editions of “Amused to Death” are available on:
CD
CD/Blu-ray
SACD
Hi-resolution digital download
Double LP 200-gram vinyl (pressed at Quality Record Pressings)
Limited edition, numbered 2 LP picture disc vinyl
Legacy Recordings collaborated with Analogue Productions/Acoustic Sounds on the release of the vinyl as well as SACD and DSD download audio products.
“Amused to Death” is available at RogerWaters.com, which is offering exclusive music and merchandise bundles.
Listen for your chance to win a CD copy of the 2015 edition of “Amused to Death” on an upcoming “Floydian Slip.” And listen for “Roger Waters Amused to Death,” a syndicated radio special from Joyride Media hosted by Floydian Slip’s Craig Bailey, airing on select stations now.